Michelle Henning

“The Worlding of Light and Air: Dufaycolor and Selochrome in the 1930s ”, Visual Culture in Britain, Vol. 21, Issue 2, 2020, pp. 177-198 [limited free copies for those without institutional access here]

“Image Flow: Photography on Tap ”, Photographies, Vol. 11, Issue 2-3, 2018, pp. 133-148 [limited free copies for those without institutional access here]

“The Floating Face: Garbo, Photography and Death Masks”, Photographies, Vol. 10, Issue 2, 2017, pp. 157-178[limited free copies for those without institutional access here]

“Otto Neurath”, In Ritzer, George (ed). Blackwell Encyclopedia Of Sociology. Blackwell Publishing, 2015. Blackwell Reference Online. [institutional access here]

“Living Life in Pictures: the Ambiguities of Isotype” in New Formations 71, Summer 2011.[Institutional access or buy here]

“The Pig in the Bath: New Materialisms and Cultural Studies”, in Radical Philosophy 145, September-October 2007.[free here]

“Anthropomorphic Taxidermy and the Death of Nature: The Curious Art of Hermann Ploucquet, Walter Potter and Charles Waterton”. Victorian Literature and Culture 35, 2007, pp. 663-678. [Institutional access or buy here]

“A Picture of Virtue”, review of Lorraine Daston and Peter Galison, Objectivity, in New Formations, 64, Winter 2008.[free here]

Review of Mark Sandberg, ‘Living Pictures, Missing Persons: Mannequins, Museums and Modernity’, in New Formations, 61, Summer 2007.[free here]